Till startsida
To content Read more abput how we use cookies on gu.se

A Festschrift for Prof. Kerala J. Snyder

We are proud to announce our newest publication: a digital Festschrift for Prof. Kerala J. Snyder, who holds an honorary doctorate from the University of Gothenburg.

Prof. Snyder helped establish a decades-long fruitful collaboration between her home institution – the Eastman School of Music, University of Rochester, New York – and the Academy of Music and Drama at the University of Gothenburg. She was awarded the honorary doctorate for her research on seventeenth-century music by composers like Buxtehude and Düben, each with important connections to Sweden, as well as for her contribution to the organ research at GOArt at the University of Gothenburg, and her much appreciated engagement in teaching and advising of a generation of doctoral candidates here. This Festschrift is edited by two of those former students, Joel Speerstra and Johan Norrback, in collaboration with her colleague from Eastman, the musicologist Ralph P. Locke.

Prof. Snyder established the first peer-reviewed online journal of musicology, “The Journal of Seventeenth-Century Music,” and in that spirit, we honor her with a digital Festschrift that will be published serially throughout her entire 80th birthday year, starting today February 28, 2016. This Festschrift will contain tributes from friends and colleagues as well as articles from the following authors (among others!):

Hans Davidsson, “Organ Plus: Developing New Audiences for Organ Music through Collaborative Arts.”


Michael Dodds, “A Celebratory Canon in the Tradition of Buxtehude and the North German Contrapuntal School.”


Mary E. Frandsen, “The Anthologies of Ambrosius Profe (1589-1661) and Lutheran Spirituality.”


Frederick K. Gable, “A Favorite Magnificat for Kerry.”


Sverker Jullander, “In the Footsteps of Buxtehude?: Aspects of Max Reger's Chorale Fantasias.”


Ralph P. Locke, “Exotic Elements in Kapsberger’s Jesuit Opera
(Rome, 1622) Honoring Saints Ignatius and Francis Xavier.”

"Exotic Elements in Kapsberger's Jesuit Opera (Rome, 1622)"

Ralph Locke presents a detailed exploration of the unique and rarely studied sacred opera by the Venetian composer Giovanni Kapsberger.


Hans van Nieuwkoop, “The Importance and Context of Seventeenth-Century Organ Registration Practice.”


Johan Norrback, “The Pinned Barrel as Music Archive.”


Paul Peeters, “The ‘Carillon’ Organ Stop: A Short (H"story – with a Special Focus on Cavaillé-Coll.”


Marjorie Roth, “Theology and Theatre in the Poems of Orlando di Lasso’s Prophetiae Sibyllarum.”


Sally Allis Sanford, "A Re-Examination of Port de Voix in the Seventeenth and Early Eighteenth Centuries: Possibilities in Vocal Performance.” 

"A Re-Examination of Port de Voix" (The file is large because it contains audio.)

Sally Sanford investigates the port de voix in French vocal music and demonstrates her results in nine sound examples.


Alexander Silbiger, “Meter and Tempo in Germany, c. 1660: A Case Study.”


Joel Speerstra, “Georg Muffat’s Apparatus Organisticus – an Emblem Book Fit for an Emperor.”


Jürgen Thym, Professor Emeritus of Musicology at the Eastman School of Music in Rochester, New York.“A Tribute to KERRY SNYDER.”

Jürgen Thym's personal reflection on Kerala J. Snyder launches our Festschrift and begins our celebration of her jubilee year.

Ruth Tatlow, Bach Researcher, author of the recently published Bach's Numbers: Compositional Proportion and Significance (2015) and co-founder of Bach Network UK. ”An English Paragram For Professor Emeritus Kerala Snyder.”

Ruth Tatlow's paragram is a celebration of Kerala. It is based on historical models like those of Christian Friedrich Henrici (Picander), who was one of the most important poetic sources for J. S. Bach's vocal compositions.


Joris Verdin, “Towards a Better Understanding of Tempo in the French Organ Music of the Nineteenth Century.”


Harald Vogel, “Aspects of Communion Music Practice in North German Churches in the Seventeenth Century.”


Paul Walker, “Johann Rosenmüller and the Rehabilitation of Vocal Fugue in the Second Half of the Seventeenth Century.”


Daniel Zager, “Vespers Hymnody as a Context for Organ Composition and Improvisation in Sixteenth- and Early Seventeenth-Century Italy.”

Doctor Honoris Causa, 22 October 2010

Final preparations the day before the ceremony.

Page Manager: Johan Norrback|Last update: 3/16/2017

The University of Gothenburg uses cookies to provide you with the best possible user experience. By continuing on this website, you approve of our use of cookies.  What are cookies?